Skip to main content
University of Cambridge
Hamilton Kerr Institute

Hamilton Kerr Institute

  • Home
  • Contact

About

  • About overview
  • Aims and Purpose
  • Events

Master of the Conservation of Easel Paintings

  • Master of the Conservation of Easel Paintings overview
  • Course Content
  • Assessment
  • Entry Qualifications
  • Costs for Students
  • Application
  • Career Pathways

Services

  • Services overview
  • Conservation Services

Photographic Services

  • Photographic Services overview
  • X-Ray
  • Infrared Reflectography
  • Ultraviolet Fluorescence
  • Macro Photography
  • Micrography
  • Lighting Techniques
  • Digital Reconstructions

Analytical Services

  • Analytical Services overview
  • Artists' Materials, organic
  • Artists' Materials, inorganic

University Conservation Service

  • University Conservation Service overview
  • Membership subscriptions

Research

  • Research overview

Past Research Projects

  • Past Research Projects overview
  • East Anglian Rood Screen Project
  • Cracks and the Perception of Paintings
  • The Classification of Craquelure
  • The Westminster Retable

Painting Techniques

  • Painting Techniques overview
  • C15th Tempera Reconstruction
  • Egg Tempera Retouching
  • Reconstruction of a Dutch flower painting
  • Reconstruction of an Early Italian-style Crucifix
  • Reconstruction of a C17th Pronk Still Life

HKI Bulletin

  • HKI Bulletin overview

HKI Bulletin and Publications

  • HKI Bulletin and Publications overview
  • HKI Bulletin Number 10
  • HKI Bulletin Number 9
  • HKI Bulletin Number 8
  • HKI Bulletin Number 7
  • HKI Bulletin Number 6
  • HKI Bulletin Number 5
  • HKI Bulletin Number 4
  • HKI Bulletin Number 3
  • HKI Bulletin Number 2
  • HKI Bulletin Number 1
  • In Artists’ Footsteps
  • The Westminster Retable
  • Thornham Parva Retable
  • Index of Account Holders in the Roberson Archive 1820-1939

Archives

  • Archives overview
  • Roberson
  • Winsor & Newton
  • John Malcolm Brealey
  • Horace Ayerst Buttery
  • Jim Murrell
  • Westby William Percival-Prescott
  • Helmut Ruhemann
  • Sir Hamilton William Kerr
  • Early Photographic Archive
  • Proposed Archives Centre
  • Home
  • About

    About

    About overview
    • Aims and Purpose
    • Events
  • Master of the Conservation of Easel Paintings

    Master of the Conservation of Easel Paintings

    Master of the Conservation of Easel Paintings overview
    • Course Content
    • Assessment
    • Entry Qualifications
    • Costs for Students
    • Application
    • Career Pathways
  • Services

    Services

    Services overview
    • Conservation Services
    • Photographic Services
    • Analytical Services
    • University Conservation Service
  • Research

    Research

    Research overview
    • Past Research Projects
  • HKI Bulletin

    HKI Bulletin

    HKI Bulletin overview
    • HKI Bulletin and Publications
  • Archives

    Archives

    Archives overview
    • Roberson
    • Winsor & Newton
    • John Malcolm Brealey
    • Horace Ayerst Buttery
    • Jim Murrell
    • Westby William Percival-Prescott
    • Helmut Ruhemann
    • Sir Hamilton William Kerr
    • Early Photographic Archive
    • Proposed Archives Centre
  • Contact
    • Home
    • About
    • Master of the Conservation of Easel Paintings
    • Services
    • Research
    • HKI Bulletin
    • Archives
    • Contact

Files

  • Files overview
  • Gerry Hedley Programme 2019
  • Gerry Hedley Programme
  • DRAFTSCHEDULEFORGERRYHEDLEY20191.pdf

Westminster Retable Files

Hamilton Kerr Institute

Contact Information

University Printing House – Area 13 Shaftesbury Road Cambridge CB3 9DA
hki@fitzmuseum.cam.ac.uk
44 (0)1223 330 101

University of Cambridge

Logo © 2026 University of Cambridge
Privacy policy Accessibility Freedom of information Modern slavery Terms and conditions